Preview: Creating the Dream that is ‘Disney’s Tarzan’ at Area Stage (ArtBurst)

By Mary Damiano
July 16, 2025

Siena Worland as Jane and Coby Oram as Tarzan in Area Stage’s “Disney’s Tarzan” opening in previews July 17 through Aug. 10 at the company’s performance space in the Shops at Sunset, South Miami. (Photo by Chase Wells, courtesy of Area Stage)

Tarzan, Lord of the Apes, is singing and swinging his way into South Miami.

The character has been a staple of pop culture since 1914, when Edgar Rice Burroughs published the first of 24 novels about an orphaned British boy raised by apes in the jungles of Africa. Many movies about Tarzan followed, including a 1999 animated feature from Disney, which became the basis of a Broadway musical with a book by David Henry Hwang and music and lyrics by Phil Collins.

Area Stage, located in the Shops at Sunset, has had great success with its productions of other Disney musicals, including “The Little Mermaid” and “Beauty and the Beast.” Much of the inventiveness is through the vision of director Giancarlo Rodaz.

Coby Oram plays Tarzan and Katie Duerr plays his ape mother, Kala, in “Disney’s Tarzan” at Area Stage. (Photo by Chase Wells, courtesy of Area Stage)

Rodaz pushes the boundaries of how musicals have traditionally been staged. For “The Little Mermaid,” audiences sat on benches, immersed in the under-the-sea realm of Ariel, while the story sprung to life around them.  For “Beauty and the Beast,” the company’s black box space was transformed into the Beast’s castle, and the audience sat at long banquet tables as the characters sang and danced in the aisles and on tabletops.

The director’s cohesive, immersive experience extends to every detail, including the show’s program. A scroll unfurled to reveal a treasure map for “The Little Mermaid” and for “Beauty and the Beast,” the playbill was fashioned as an elegant, oversized menu reminiscent of one presented at a fancy restaurant.

Rodaz says he’s received feedback from audiences who have been entranced by their immersion in the musicals.

“It makes them very happy to escape the world for a little bit and be able to go out . . . with the whole family,” says Rodaz. “And then there are adults that come and step back into their childhoods.”

Not A Theater Kid

Despite growing up in a theater family, Rodaz was not a theater kid.

“I’m the biggest tale of ‘force your kids to do things they don’t want to do’ because I wanted to stay home with my video games when I was a kid.”

Giancarlo Rodaz directing a scene from “Disney’s Tarzan” at Area Stage. (Photo by Jennifer Gomez/courtesy of Area Stage)

He says when his parents, John Rodaz and Maria Banda-Rodaz, launched the theater and a theater school, their coaxing led him to discover theater.

“Like all the best things, the conservatory comes from a place of, what would I do for my own child? What would be the thing that I would make for my child? And my dad said, ‘This is what you’re doing this summer. We’re opening this conservatory and you’re going to be part of it.’ I think arts programs like the conservatory genuinely wake up something in kids.”

A summer at the conservatory at Area Stage changed everything for Rodaz, who was 13 years old and caught the theater bug. He played Motel Kamzoil, the tailor, in “Fiddler on the Roof,” but decided he’d rather use his talents behind the scenes and direct. He helped out at the theater, taking time to learn all the jobs needed to produce a show.

“I always tell people who want to start directing that you should at least have done every job once to fully understand the scope of what you’re asking the people to do,” he advises.

Giancarlo Rodaz became the artistic director of Area Stage in 2023. (Photo courtesy of Area Stage)

Rodaz directed his first show when he was 15, a production of “Winnie the Pooh Jr.,” which he said he took very seriously. Years later, his focus is still on family entertainment, which has become his oeuvre.

“I really love doing those types of stories,” says Rodaz. “I feel like not many people take those stories super seriously or try to do what Walt Disney himself tried to do, which is not make stories for children, but make stories for everybody. That’s very valuable, and that’s something that fuels a lot of what I do.”

Rodaz grew up watching the animated film “Disney’s Tarzan” and has wanted to produce the musical for some time.

“It’s such a fun Disney story to do because it’s not a fairy tale,” says the director. “It’s got fairy-tale elements, but it’s really rooted in the old kind of pulp, serialized fiction of Edgar Rice Burroughs stories. I really love that aesthetic and I haven’t done anything like that before.”

He says that his production of “Disney’s Tarzan” is a bit more “intimate” than the last two immersive musicals he’s helmed for Area Stage.

“It’s very up close and personal. “For ‘The Little Mermaid’ and other Disney shows, we always aimed for this massive scale of things. But we have a small cast to make the show very intimate and brought the story back to a more personal place, so it’s a good fit.”

Rodaz, a big Disney fan, says he used the Disney World theme parks as part of his inspiration for the current summer show.

“This show is fun because it’s digging into that Adventureland aesthetic,” he says. “We have all the expedition equipment. It’s very inspired by Jungle Cruise and the Tiki Room. That’s a lot of the stuff that we looked at for the show.”

‘Tarzan’ Dreams

 For Coby Oram, playing Tarzan is a dream come true.

“Tarzan has been a dream role of mine for a while,” said Oram. “I saw it when I was a kid at Tuacahn Center for the Arts in Utah, which is a beautiful, gorgeous, gigantic, outdoor theater space. I saw the regional debut of ‘Tarzan’ with a great family friend playing the titular role. I thought it was amazing. I’ve been keeping an eye out for it ever since I was 12.”

The actor who played Tarzan in the production that captivated Oram was James Royce Edwards, who encouraged Oram toward his theater dreams. When Oram booked the lead at Area Stage, he texted his old friend.

Coby Oram says playing Tarzan is his dream role. (Photo by Chase Wells, courtesy of Area Stage)

“The first thing he said was, ‘Man, I’m so proud of you. You’re going to crush it and you’re going to sing it better than I ever did.’ I don’t know if that’s true, but it was nice of him to say,” said Oram.

Oram was in Kansas City, alternating the lead role of Frankie Valli in “Jersey Boys” with his twin brother, Chris, when he was cast in Area Stage’s production of “Disney’s Tarzan.” Oram never auditioned for Rodaz in person; he was cast through video auditions and callbacks. Oram performed his final show as Frankie Valli and 90 minutes later he was on a plane headed for Miami. He joined the “Disney’s Tarzan” cast, who had already been rehearsing for a week, at 10 a.m. the next morning.

Much like Rodaz, Oram grew up immersed in the arts. He loved theater and performing but was dissuaded from making it his career. He studied engineering in college but dropped out because his true passion was for the arts. He and his brother moved to New York from their native Utah in 2022 and he soon booked his “Jersey Boys” contract.

Before rehearsals, Oram knew Area Stage by their reputation only and had heard about the immersive stagings of other Disney shows.

“When I started seeing the word ‘immersive’ thrown around, I wasn’t quite sure what to expect,” says the actor. “I was very intrigued. And since I’ve gotten here, it’s been such a privilege to see what that all means. The audience is up close. They’re just as up close as we are on stage because they’re sharing space with us.”

Oram says he’s drawn to challenging roles, and Tarzan presents unique role requirements.

“It’s very physically demanding. Rolling all over the floor, jumping up and down, climbing up and down steps, swinging, and doing all that in a loincloth,” he admits.

 Rodaz and Oram each have ideas about what they would like audiences to take away from “Disney’s Tarzan.”

Katie Duerr as Tarzan’s ape mother, Kala, and Coby Oram as Tarzan in “Disney’s Tarzan” at Area Stage. (Photo by Giancarlo Rodaz, courtesy of Area Stage)

“Tarzan’ is a beautiful show that has a beautiful message,” says Oram. “Sometimes people are different. Sometimes people look different, or they act different, or their brains seem to develop in different ways, like a human growing up in a jungle. And the beautiful thing to me in this script is that regardless of how different Tarzan is, he’s family. He’s not just accepted, but he’s loved he’s given a place, and he’s allowed to grow into the person he is rather than forced to become someone who fits.”

Rodaz sees “Disney’s Tarzan” as the next step in his journey of getting people excited about theater and entertaining them for a while.

“Kids come up to me, and they tell me it was their first show ever. They’re like, ‘I didn’t know it was gonna be this cool.’ And that’s what makes me want to keep doing it.”

WHAT:  “Disney’s Tarzan”

WHERE: Area Stage at Sunset Place, 5701 Sunset Dr., Suite 286, South Miami

WHEN: 7 p.m. Thursday, Friday, Saturday, and Sunday, 2 p.m. Saturday and Sunday. Previews, July 17 and 18, then July 19 through Aug. 10.

COST:   $88.75, general admission; $124.75, premium seating.  $52.75, general admission for children and students with ID, $83.75. premium seating. Lap seating permitted for children under 3.

INFORMATION: 305-666-2078 or areastage.org

ArtburstMiami.com is a nonprofit media source for the arts featuring fresh and original stories by writers dedicated to theater, dance, visual arts, film, music and more. Don’t miss a story at www.artburstmiami.com.

Lady Miasma Takes a Final Bow: Area Stage’s Original Musical Closes After a Hit Run

Nicole Becker plays the role of Lady Almira Miasma.

If you wandered into Area Stage this spring, you may have felt the electric buzz of something new taking shape. And you would have been right — from March 9 to April 6, Area Stage Conservatory’s Student Professional Program brought to life Lady Miasma, an original play that turned classic fairytales on their head and captured audiences from the very first haunting note.

With sold-out opening and closing nights, Lady Miasma wasn’t just another show—it was an experience. Written and directed by Area Stage’s Artistic Director Giancarlo Rodaz, this chilling, whimsical new work invited audiences into the dark and mysterious world of Umbra, where a peasant boy named Bertram sets out to rescue a long-lost princess trapped in a tower... only to discover that the real danger wasn’t the tower at all, but the princess herself.

As the story twisted and turned, so did the talents of the young performers on stage. In fact, the students didn’t just perform Lady Miasma—they helped shape and inspire the characters. Throughout rehearsals, the cast worked closely with Rodaz, participating in an evolving script development process that allowed them to shape their characters and scenes in real-time. Every emotion, every line, and every eerie glance was crafted with care and collaboration.

Adding to the magic was an original score composed specifically for this production. Katie Duerr’s orchestrations paired seamlessly with Rodaz’s lyrics, creating a soundscape that was as otherworldly as the story itself. The students rose to the challenge, mastering intricate music and haunting harmonies that brought the dark fairy tale to life in ways that felt fresh, daring, and deeply human.

It wasn’t just the story or the music that set Lady Miasma apart, it was the undeniable energy of young artists stepping into the spotlight with confidence and heart. These Student Professionals didn’t just meet the moment—they defined it. They demonstrated not only their technical skills but also their passion, creativity, and commitment to bringing a brand-new work to life.

(Left) Halsey Gruber, Alexander Montero, and Nicole Becker, play the roles of Edme Miasma, Bertram Windmoore and Lady Almira Miasma,.

For Area Stage Conservatory, Lady Miasma represents everything we believe in: original storytelling, fearless artistry, and empowering the next generation of performers to take bold creative risks. Watching these students build an entire world from scratch—and seeing audiences respond with standing ovations—was nothing short of inspiring.

Though the final curtain has fallen on this particular journey, the spirit of Lady Miasma lingers in the halls of Area Stage, a reminder of the magic that happens when young artists are given the space to dream, create, and dare.

Up Next at Area Stage
We’re keeping the momentum going with more exciting productions just around the corner!
Join us as our Conservatory students take the stage in Seussical Jr., opening May 16 — a whimsical adventure through the beloved world of Dr. Seuss. And don’t miss the Inspire Theatre Project’s vibrant production of Seussical, opening June 6, showcasing the incredible talents of our neurodiverse performers. Stay tuned for more magic, music, and unforgettable stories!

ITP Annie Jr. Closes Out A Successful Run With A Sold Out Weekend!

On January 24th through 26th, Area Stage’s Inclusion Theatre Project (ITP) took center stage with an unforgettable production of Annie Jr., performed to sold-out audiences each night! The production was a testament to the incredible talent, dedication, and passion of our ITP performers, who brought the beloved story to life with heart and energy.

A Classic Tale of Hope and Determination

Set in 1930s New York City, Annie Jr. follows the journey of a spirited young orphan determined to find the family she’s always longed for. With the help of billionaire Oliver Warbucks, his warm-hearted secretary Grace, and a lovable rescue dog named Sandy, Annie discovers that hope and love can be found in the most unexpected places. Featuring classic songs like “Tomorrow” and “It’s a Hard-Knock Life,” the show captures the resilience and optimism that makes it a fan favorite.

A Celebration of Inclusivity and Talent

At Area Stage, we believe that theatre should be a place for everyone. Through ITP, we provide individualized, adaptive performing arts training for actors with disabilities, ensuring that every student has the opportunity to develop their skills, gain confidence, and shine on stage. This production of Annie Jr. was no exception, proving once again that theatre is for all—and that the magic of storytelling is even more powerful when shared by such a dedicated and diverse cast.

Thank You for Your Support!

To our performers, creative team, volunteers, and of course, our enthusiastic audiences—thank you for making ITP Annie Jr. such a special production. Your cheers, applause, and unwavering support mean the world to our students and to the entire Area Stage community.

As Annie Jr. takes its final bow, we look ahead to even more inspiring productions to come. Stay tuned for what’s next with ITP- Seussical Jr. opening in June!

Area Stage Shines Bright at the 2024 BroadwayWorld Regional Miami Metro Awards!

We are thrilled to share some incredible news: Area Stage has once again taken center stage, earning multiple accolades at the 2024 BroadwayWorld Regional Miami Metro Awards! These prestigious honors celebrate the exceptional talent and creativity of our team, and we couldn’t be prouder of everyone who made this achievement possible.

Our Award-Winning Productions
This year, two of our recent productions were recognized for their outstanding artistic contributions, cementing Area Stage's reputation as a leading force in Miami's theatre scene.

For our magical production of Disney’s The Little Mermaid, we took home:

  • Best Musical

  • Best Ensemble

  • Best Music Direction & Orchestra Performance, Michael Day

  • Best Lighting Design of a Play or Musical, Joe Naftal

  • Best Scenic Design for a Play or Musical, Frank J. Oliva

  • Best Sound Design of a Play or Musical, Abraham Oleksnianski

In addition, Las Marcas Del Mar (Sea Marks) by Gardner McKay was honored with:

  • Best Direction of a Play, awarded to our very own Maria Banda-Rodaz

  • Best Performer in a Play, Constanza Espejo

A Legacy of Excellence
These awards are a testament to Area Stage's unwavering commitment to delivering innovative, inclusive, and world-class theatre. For over 35 years, we’ve worked tirelessly to create productions that resonate with audiences, from large-scale musicals to intimate plays that spark thought and conversation.

Our success would not be possible without the steadfast support of our community. You—our patrons, donors, and partners—are the heart of everything we do. It’s because of your belief in our mission that we’re able to produce award-winning productions and achieve milestones like this.

What’s Next?
The curtain may have closed on 2024, but we’re already hard at work on an exciting lineup for 2025! From immersive productions to community events, Area Stage is gearing up to continue pushing the boundaries of theatre while providing a platform for local talent to shine. Thank you for celebrating this moment with us and for being part of the Area Stage journey. Together, we’ll continue to bring exceptional theatre to life for many years to come.

Connect with Us
Follow us on our social media for the latest news and stay tuned for updates on our upcoming Mainstage production, Lady Miasma, a workshop horror fantasy musical written and directed by Artistic Director, Giancarlo Rodaz.

Area Stage Wins 2024 Miami-Dade Favorites Silver Award for Best Live Theatre

Area Stage , a beloved cornerstone of South Florida's theater scene, has achieved another milestone by winning the 2024 Miami-Dade Favorites Silver Award for Best Live Theatre. This prestigious honor recognizes the company’s unwavering commitment to artistic innovation and its significant contributions to the cultural vibrancy of the Miami-Dade arts community.

Founded in 1989 by John and Maria Rodaz, Area Stage has consistently pushed boundaries in regional theater with bold, immersive, and critically acclaimed productions. The company’s dedication to excellence has earned it a reputation as one of Miami’s premier cultural institutions.

What Makes Area Stage a Favorite?
Area Stage’s success is attributed to its ability to captivate audiences with unique and transformative theatrical experiences. Productions like its immersive rendition of Disney's Beauty and the Beast—a multiple Carbonell Award-winning show—demonstrate the company’s innovative approach to storytelling. Audiences were invited to step inside the world of Belle and the Beast through a fully immersive staging that blurred the line between performers and attendees.

This creative vision led by Artistic Director Giancarlo Rodaz, combined with world-class talent, has helped Area Stage stand out among Miami’s vibrant arts scene, securing its place as a community favorite year after year.

The Miami-Dade Favorites Awards
The Miami-Dade Favorites Awards celebrate businesses and organizations that significantly enhance the local community. The "Best Live Theatre" category acknowledges venues that provide exceptional performances and unforgettable experiences to audiences. Area Stage’s recognition as the Silver Award winner is a testament to its ability to enrich lives through the power of live theater.

A Commitment to Inclusion and Education
Beyond its professional productions, Area Stage is dedicated to nurturing the next generation of performers and fostering inclusivity. Its Conservatory Program offers training in acting, singing, and dancing for students of all ages and abilities. Additionally, the Inclusion Theatre Project provides individuals with developmental disabilities the chance to perform and thrive in a creative, supportive environment. These programs embody Area Stage’s mission to make theater accessible and meaningful to everyone in the community.


Area Stage’s 2024 Miami-Dade Favorites Silver Award win is a shared triumph with its supporters, audiences, and community members. Thank you for making this achievement possible and for helping keep the magic of theater alive!

To learn more about Area Stage, explore upcoming events, or get involved, visit www.areastage.org.